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I apologize in advance to my regular readers for posting an article
today that is both short and repetitive. But timing is everything and I
have to point out a
recent article in the New Jersey Star-Ledger that breaks the
astounding news that some of the violins Herbert Axelrod sold to the New
Jersey Symphony Orchestra (NJSO) may very well be fakes.
The Star-Ledger article goes on to assert that the entire deal was just
a scam Axelrod was foisting on the NJSO. What’s really interesting is
that back on May 10th, 2004 I posted an
article here at The Partial Observer claiming exactly that.
The Star-Ledger article also goes on to claim that the then NJSO
executive director, Lawrence Tamburri, exaggerated claims made by one
violin appraisal expert to help validate the deal to purchased the
instruments. The article continues by pointing out that Tamburri was
able to secure the top executive post at the much larger Pittsburgh
Symphony based on his being one of the architects of the Axelrod violin
deal.
Once again, in the article here at The Partial Observer I mentioned that
Tamburri’s reputation had been artificially enhanced by this scam and
the entire situation would have a detrimental effect on the orchestra
management industry.
What’s really important to see here is not that these things were
mentioned here first, but that independent online journals such as The
Partial Observer offer the world a fast paced forum with the ability to
present ideas sooner than has been previously been possible through
traditional print media.
The Partial Observer editor, Mark Johnson, deserves a big round of
credit for his work with providing such a forum for internet users. He
also deserves recognition for standing by my original NJSO article like
a journalistic “David” when legal “Goliaths” from New Jersey came
knocking at his email door.
I think we all underestimate how valuable the freedom of the press
really is to all of us. I know that for me, it has a whole new meaning.
I promise that in the next installment of Neo Classical will get back to
the business of examining the future of classical music!
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