One of the world's most beautiful and important violins with a value of at
least £3.5m has been saved for the nation to be played by the most brilliant
of Britain's up-and-coming musicians.
The so-called "Viotti violin" was made by the great master Antonio
Stradivari and first alerted listeners to the genius of his craft. It has
been in Britain for more than a century and the last owner, John Bruce,
wanted it to stay here.
But it has taken two and a half years of negotiations, a deal over death
duties and a massive fundraising campaign that garnered generous public
support to secure the important instrument for the Royal Academy of Music.
Yesterday, more than five months after an original deadline for the
campaign passed with thousands still to be raised, the violin's future was
secure after a last-minute extra grant from the National Art Collections
Fund (the Art Fund) charity and the family agreed to waive a six-figure sum
it was due from the deal. The violin was formally handed over.
Professor Curtis Price, the Royal Academy of Music's principal, said they
were delighted. "The Academy's specialized facilities will provide Viotti's
Stradivarius with a safe permanent home, while providing opportunities for
everyone to see it, hear it and learn from its extraordinary history.
"Even with the help of the Acceptance in Lieu scheme, this was a huge
fundraising effort - surely the most money ever raised by a public
institution to purchase a musical instrument."
It will go on public display in the Academy's museum and, with 30 days'
notice to heritage authorities, will be played occasionally by its best
students. It will also aid research.
The violin is known as the Viotti after Giovanni Battista Viotti, who
dazzled audiences when he first played it at the Tuileries Palace in Paris
in 1782 and then later in London.
The tone and expressiveness was completely new at the time and led to the
recognition of the supremacy of the Stradivari violin. A manuscript of a
piece written by Viotti himself for the instrument was discovered by the
Academy only last week among papers given by the late violinist Sir Yehudi
Menuhin.
Toby Faber, author of a biography of Stradivari entitled Five Violins,
One Cello and a Genius, said: "Before Viotti, Stradivari was just one
violin-maker among many. After him, everyone wanted to play a Strad."
It has been in the UK since 1897 when it arrived in the care of the
violin selling family WE Hill and Sons. The instrument has had only three
owners since; Baron Kroop, the son of an Estonian textile magnate; Richard
Baker, a Stradivari enthusiast; and since 1924, the Bruce family of Scottish
artistocrats. John Bruce, the son of the purchaser, died three years ago,
saying it should remain in Britain.
Negotiations began over accepting the instrument in lieu of death duties
but the amount the family owed was significantly less than the value of the
instrument. The Royal Academy of Music wanted to purchase the instrument but
needed around £2.1 m to pay the difference to the family.
The National Heritage Memorial Fund, the fund of last resort for national
treasures, gave a grant of £250,000 and the Art Fund £150,000. A number of
private and public donors came forward. The Inland Revenue agreed to extend
the deadline for settling the death duties when the fund reached £1.2 m.
David Barrie, director of the Art Fund, said they were pleased to have
solved the funding gap. "This is an exquisite instrument of extraordinary
quality."
One of the world's most beautiful and important violins with a value of at
least £3.5m has been saved for the nation to be played by the most brilliant
of Britain's up-and-coming musicians.
The so-called "Viotti violin" was made by the great master Antonio
Stradivari and first alerted listeners to the genius of his craft. It has
been in Britain for more than a century and the last owner, John Bruce,
wanted it to stay here.
But it has taken two and a half years of negotiations, a deal over death
duties and a massive fundraising campaign that garnered generous public
support to secure the important instrument for the Royal Academy of Music.
Yesterday, more than five months after an original deadline for the
campaign passed with thousands still to be raised, the violin's future was
secure after a last-minute extra grant from the National Art Collections
Fund (the Art Fund) charity and the family agreed to waive a six-figure sum
it was due from the deal. The violin was formally handed over.
Professor Curtis Price, the Royal Academy of Music's principal, said they
were delighted. "The Academy's specialised facilities will provide Viotti's
Stradivarius with a safe permanent home, while providing opportunities for
everyone to see it, hear it and learn from its extraordinary history.
"Even with the help of the Acceptance in Lieu scheme, this was a huge
fundraising effort - surely the most money ever raised by a public
institution to purchase a musical instrument."
It will go on public display in the Academy's museum and, with 30 days'
notice to heritage authorities, will be played occasionally by its best
students. It will also aid research.
The violin is known as the Viotti after Giovanni Battista Viotti, who
dazzled audiences when he first played it at the Tuileries Palace in Paris
in 1782 and then later in London.
The tone and expressiveness was completely new at the time and led to the
recognition of the supremacy of the Stradivari violin. A manuscript of a
piece written by Viotti himself for the instrument was discovered by the
Academy only last week among papers given by the late violinist Sir Yehudi
Menuhin.
Toby Faber, author of a biography of Stradivari entitled Five
Violins, One Cello and a Genius, said: "Before Viotti, Stradivari was just
one violin-maker among many. After him, everyone wanted to play a Strad."
It has been in the UK since 1897 when it arrived in the care of the
violin selling family WE Hill and Sons. The instrument has had only three
owners since; Baron Kroop, the son of an Estonian textile magnate; Richard
Baker, a Stradivari enthusiast; and since 1924, the Bruce family of Scottish
artistocrats. John Bruce, the son of the purchaser, died three years ago,
saying it should remain in Britain.
Negotiations began over accepting the instrument in lieu of death duties
but the amount the family owed was significantly less than the value of the
instrument. The Royal Academy of Music wanted to purchase the instrument but
needed around £2.1 m to pay the difference to the family.
The National Heritage Memorial Fund, the fund of last resort for national
treasures, gave a grant of £250,000 and the Art Fund £150,000. A number of
private and public donors came forward. The Inland Revenue agreed to extend
the deadline for settling the death duties when the fund reached £1.2 m.
David Barrie, director of the Art Fund, said they were pleased to have
solved the funding gap. "This is an exquisite instrument of extraordinary
quality."